WBAI-FM Upcoming Program
Arts Express

Thu, Sep 8, 2016   2:00 PM

VENICE FILM FESTIVAL REPORT: AMERICAN ANARCHIST

**Stephen Lang Talks Don't Breathe: Playing blind as a damaged Iraq vet in a desolate Detroit; four more Avatars; and how the power of the word of mouth Internet beat out Hollywood summer blockbusters at the box office for this number one movie these past two weeks.

**We Have To Talk About Nate Parker And The Birth Of A Nation: Arts Express Best Of The Net Hotspot This Week.

**Broe On The World Film Beat: Arts Express Paris correspondent on location at the Venice Film Festival. Discussing The Anarchist Cookbook doc, American Anarchist; Neo-McCarthyism and sci-fi movies; prisoners of banks, poisoned US global politics, Putin, Iran and Albania; and the workingclass as disposable in movies while attempting to survive and grow in a world that has abandoned them.

**A Conversation With Joey "Jaws" Chestnut: Referencing hot dogs, pirogis, twinkies, shrimp wantons in Bangkok, and what in the world are brain tacos. Jack Shalom reports.

**Music Corner: The Real DMT performing Security VS Fatality: A Black Lives Matter Rap.

LISTEN TO THE SHOW HERE

SULLY MOVIE REVIEW

True events are never easy to convey dramatically in a movie, when the outcome in the real world pretty much upstages elements of suspense and intrigue. So it's left to the filmmaker to walk audiences through the events that originally transpired, not only as if happening for the very first time all over again, but with all the original heightened sense of unimaginable fear, shock and alarm. And yes, eventual healing too.

And Clint Eastwood manages to accomplish just that with his combo biopic and disaster thriller Sully, the remarkable story of US Airways pilot Chesley “Sully” Sullenberger. Who on January 15th 2009, somehow miraculously averted mass tragedy for the terrified 155 people on board, when a flock of birds swarmed into the plane engines, effectively shutting down the aircraft in flight. And leading Sully to take a chance on an emergency landing in the frigid waters of New York City's Hudson River.

Tom Hanks lives and breathes the character of Sully with uncommon authenticity, confronting the challenge not only of rescuing his passengers from a horrifying brush with nearly certain death, but then forced into a faceoff with an official aviation bureaucracy questioniing his thoroughly unconventional decisions to save lives.

And so effective and emotionally charged is Hank's performance, that one wishes there were more about his character's life, and the path that eventually led to the incomparable yet unpretentiously humble human being he was to become. And less on screen of the detailed sequence of events surrounding inquiries into just what happened logistically and otherwise, on that nearly fateful day.

What is most compelling about this film though, is how in a rare moment  of collective solidarity, rapidly assembled rescue crews spontaneously came together to save everyone on board. And that's quite an unusual sight resonating in a movie these days, with the deepening divisive climate in society right now.

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AMERICAN ANARCHIST